Extraordinary Things, Extraordinary Places
Tête à Tête is a company that produces extraordinary operas in extraordinary places.
Led by Artistic Director Bill Bankes-Jones and Music Director Timothy Burke, we work to make an inclusive, exciting future for opera. We’ve produced over 100 operas and given work to thousands of opera makers, from Newcastle to Cornwall, Shetland to Stavanger. We’ve also hosted, mentored, and empowered almost 600 new operas by other companies over the past 14 Tête à Tête: The Opera Festivals.
Artists are at the heart of everything we do. All of the training resources we make for our artists are available online, and we host the largest archive of new opera in the world. Both are available free of charge. There’s now a whole generation of the opera sector where it’s hard to find someone who hasn’t made at least a little artistic growth under our wing.
Recent highlights include:
2021 Tête à Tête: The Opera Festival here.
· Delivering the 13th Tête à Tête: The Opera Festival combining 18 different productions involving 332 opera makers with live audiences indoors and many online broadcasts
· A BEM for Artistic Director Bill Bankes-Jones “for services to opera and diversity” in the Queen’s Birthday Honours List
You can start to bring your new opera to life here.
You can access development tools here.
You can explore our archive here.
You can donate to our work here.
Tête à Tête is a current Arts Council of England National Portfolio Organisation for its work with new opera artists.
You can see our past productions On Demand and explore our opera festivals and artist resources. You can also read about our history here.
Artistic Director
Bill Bankes-Jones
Summarise your role in 20 words
Founder and driver of the company, dreaming up what we do together with our great team… and then doing it!
What has been your favourite moment as part of the Tête à Tête team?
Particularly special are those moments when a project gets real ignition between audience and artists, It’s what we always aim for and great that we can so often hit that.
What’s your favourite Tête à Tête production?
Flying Fox, Shorts, Six-Pack, The Canticles with Streetwise Opera, Nine Festivals, Salad Days, Pop up Operas always, Dart’s Love, Icarus, Daughters of the Elements, The Last Seed and many many more, too many to choose from!
Music Director
Timothy Burke
Summarise your role in 20 words
Developing, rehearsing and conducting the new operas we commission; helping Bill with Festival curation. Bringing new music to life.
What has been your favourite moment as part of the Tête à Tête team?
I think my favourite ever moment was the day we made Dart’s Love in 2013, the first piece I conducted for Tête à Tête. I met the instrumentalists from CHROMA for the first time that morning – I’d been so nervous that I wouldn’t get to work with them before the day of the performance – and then they played it as if they’d been playing it all their lives. The whole Tête à Tête team were buzzing about the theatre doing everything at once, achieving what a national opera company would take 10 days to do in 1 day. Incredible.
What’s your favourite Tête à Tête production?
If I had to pick one, it’d be The Last Seed by Na’ama Zisser. I think it is like absolutely nothing else I’ve ever heard. The way 5 unusual male voices, all clustered around alto & tenor ranges, blend and intertwine, sharing out the words in a sentence, all wreathed around by the sounds and textures of CHROMA – it was a very special piece to create.
Administrative Director
Anna Gregg
Summarise your role in 20 words
The seat belt, mirror, indicator, manoeuvre… with many tire changes, petrol re-fuels, new brakes and buckets of acceleration. *Polish depending
What has been your favourite moment as part of the Tête à Tête team?
The whole ride, but the best bit is talking to our artists about how we can make their time with us the best it can be. Mind you I do love rushing to the loos post performance to listen in on what audiences really thought about a show.
What’s your favourite Tête à Tête production?
Push!, Amerika, The Last Seed, Salad Days, My Mother My Daughter, The Cumnor Affair but also pretty much everything in every festival for its sheer ambition.
Our People
Chairman
David Leeming
Trustees
Richard Ault
Katie Price
Omar Shahryar
Advisory Panel
Vera Chok
Nick Sutcliffe
Julian Wright
Management Team
Artistic Director Bill Bankes-Jones
Music Director Timothy Burke
Administrative Director Anna Gregg
Technical Director David Salter
Consultant Sarah Playfair
Associate Ensemble CHROMA
Marketing Director Leo Doulton
PressWildkat PR
Tête à Tête History
1998
The Flying Fox
1999
Shorts
2000
Orlando Plays Mad
2001
Shorts
2002
Six-Pack (co-production English National Opera)
Britten’s Canticles (co-production Streetwise Opera)
2003
Family Matters (work in progress)
2004
Family Matters
2005
Shetland Odyssey
2006
Odysseus Unwound
Push
2007
Tête à Tête: The Opera Festival 1
Blind Date
2008
Tête à Tête: The Opera Festival 2
The Cumnor Affair
2009
Tête à Tête: The Opera Festival 3
Salad Days 1
2010
Tête à Tête: The Opera Festival 4
Salad Days 2
2011
Tête à Tête: The Opera Festival 5
2012
Circus Tricks
Great Expectations (in association with the Royal College of Music)
Tête à Tête: The Opera Festival 6
Salad Days 3
2013
Tête à Tête: The Opera Festival 7
2014
Hogarth’s Stages (in association with the Royal College of Music)
Grind
Tête à Tête: The Opera Festival 8
2015
Tête à Tête: The Opera Festival 9
2016
Crime & Punishment (in association with the Royal College of Music)
Cubitt Sessions, Kings Cross 1
2017
Tête à Tête: The Opera Festival 10
Cubitt Sessions, Kings Cross 2
Belongings (Co-commissioned and co-produced by Tête à Tête and sound)
2018
Frankenstein: The Modern Prometheus (in association with the Royal College of Music)
Tête à Tête: The Opera Festival 11
Cubitt Sessions, Kings Cross 3
2019
Tête à Tête: The Opera Festival 12
Cubitt Sessions, Kings Cross 4
2020
DCMS pilot for the return to indoor performances with a socially distanced audience
Tête à Tête: The Opera Festival 13