Your First Festival (Part 1): The Path to Tete a Tete: The Opera Festival

How do I get funding for my show?

What are our artists up to?

What Arts Council England can do for you.

Guest Blog: With Open Eyes – Creating While There’s Light

Guest Blog: Two Kinds Of Play – Making Opera-Game Hybrids

How To Work Sustainably

Learning from Tête à Tête: The Opera Festival 2020

Marketing in a Pandemic: How We Do It

Producing production photographs in a socially-distanced performance environment

Festival 2020 In Figures: Our Highlights

Guest #ForArtists Blog: Martin Bussey: Stepping Into Your Light – The Tête à Tête Experience

Guest #ForArtists Blog: Dr Susannah Self: Finding ways to build more socially diverse audiences for new opera

Guest #ForArtists Blog: Clare McCaldin: From Plain Jane to Queen Mary

Guest #ForArtists Blog: Laure Meloy: ONE ART, or, opera can change your life

Creative Resource Round-Up: May 2020

Creative Resource Round-Up

#CoronaChorus

Tips from Dr Jane Manning OBE

Making Your Opera Reality – Professional Producers Help You!

Top Tips on developing your opera from the Tête à Tête Team

Bill Bankes-Jones on making opera for the modern world in International Arts Manager

A Brief History of 20th Century Classical Music…

Looking for a Rehearsal Room in London?

Taking Your Opera From Page To Stage 2019:

QUIZ 20th CENTURY OPERA… OR MATHEMATICAL PARADOX!!

Tête à Tête InConversation – Design

Music Theatre NOW Competition

Tête à Tête In Conversation – Casting

Exclusive Opinion: Waste Paper Opera Company

Bill Bankes-Jones: A life and future in opera – Opera Magazine

Shout About It! : Exclusive interview with Daniel Kramer

Social Media; 7 things that should be at the heart of every organisation