Who’s Funded What?
Three Free Resources
Nice Things Festival Artists Said About Us (And About How We Developed Them)
Your First Festival (Part 1): The Path to Tete a Tete: The Opera Festival
How do I get funding for my show?
What are our artists up to?
What Arts Council England can do for you.
Guest Blog: With Open Eyes – Creating While There’s Light
Guest Blog: Two Kinds Of Play – Making Opera-Game Hybrids
How To Work Sustainably
Learning from Tête à Tête: The Opera Festival 2020
Marketing in a Pandemic: How We Do It
Producing production photographs in a socially-distanced performance environment
Festival 2020 In Figures: Our Highlights
Guest #ForArtists Blog: Martin Bussey: Stepping Into Your Light – The Tête à Tête Experience
Guest #ForArtists Blog: Dr Susannah Self: Finding ways to build more socially diverse audiences for new opera
Guest #ForArtists Blog: Clare McCaldin: From Plain Jane to Queen Mary
Guest #ForArtists Blog: Laure Meloy: ONE ART, or, opera can change your life
Creative Resource Round-Up: May 2020
Creative Resource Round-Up
#CoronaChorus
Tips from Dr Jane Manning OBE
Making Your Opera Reality – Professional Producers Help You!
Top Tips on developing your opera from the Tête à Tête Team
Bill Bankes-Jones on making opera for the modern world in International Arts Manager
A Brief History of 20th Century Classical Music…
Looking for a Rehearsal Room in London?
Taking Your Opera From Page To Stage 2019:
QUIZ 20th CENTURY OPERA… OR MATHEMATICAL PARADOX!!
Tête à Tête InConversation – Design
Music Theatre NOW Competition
Tête à Tête In Conversation – Casting
Exclusive Opinion: Waste Paper Opera Company
Bill Bankes-Jones: A life and future in opera – Opera Magazine
Shout About It! : Exclusive interview with Daniel Kramer
Social Media; 7 things that should be at the heart of every organisation
