Saturday 4th August, 21.15 – 21.55

Ergo Phizmiz

 

 

A whirlwind tour through the life and work of maverick writer, collagist, radio-producer and opera composer Ergo Phizmiz. Performing excerpts from music-theatre pieces dating back to his early teens to current work-in-progress and experiments, the evening will provide a personal and kaleidoscopic overview of the work of one of the UK’s most uncategorisable and prolific artists.

www.ergophizmiz.net

 


 

Genesis

 

Queen of Names is a trip down my own operatic memory lane, which is less rude than it sounds. For better or worse I have been producing operas-of-some-description since 12 years old – giving me, as you can imagine, instant popularity at school. Who needs to be good at football when you can imitate Gilbert & Sullivan?

 


 

Synopses

 

Beautiful Bicycle from The Third Policeman, a tender ode to our wheeled friends.

 

Teenage Kicks comprises excerpts from a local BBC radio interview recorded at age 13.

 

To Kill a Man is a song from the opera Elliott, written at age 14, and the only one of my teenage operas ever to be staged.

 

The Invention of Opera tells the truth about where opera really came from. The Florentine Camarata was a cover-up to rival the Illuminati.

Death of a DJ from my 2010 opera The Mourning Show, in which three malevolent ladies telephone the radio show of Chris Evans and destroy his mind until, convinced he is a bird, he plummets from the window.

 

Some examples of Staticopera: operas that exist in stationary silence.

 

Written for the US based radioshow Risk, Death of a Good Friend is a radiophonic opera about jealousy.

 

In the autobiographical radioplay Disappearing Boxes, from 2011, we met my version of Lewis Carroll’s Boojum, the Auto-Boojum: a nom-de-plume for music itself.

 

In the 1920s the alchemist Fulcanelli invented a pair of anagram shoes, which were presented to the trapeze artist Barbette, permitting him/her to transform his/her own sex at whim; from the 2011 semi-opera Fulcanelli’s Shoes.

 

My 15 hour radioplay The Faust Cycle (2006-2010) contains a plethora of mini-operas. To See You Smile is a duet between God & Satan, accompanied by a chorus of Angels & Devils.

 

Created especially for this show, The Impulse to Shoot at Every Shadow is a spoken-word opera in audio/video collage and animation. The words are cut from Present Indicative, an early autobiography by Noel Coward.

 

And why is the show called Queen of Names? Because I’m the Queen, of course….

 

 

 

Queen of Names

Music & Words: Ergo Phizmiz


 


Assisted by:


 


Martha Moopette & Elvis Herod


 


Biographies


 


Queen Ergo Phizmiz is a writer, collagist, broadcaster, film-maker, and composer, working across radio, theatre, opera, installations, songwriting. His work has been performed in the UK, France, Germany, Holland, Belgium, Switzerland, Denmark, Poland, Romania, Japan and the USA, including productions for the BBC, WDR3, dRadioKultur, WFMU, DePlayer, Worm, Bayerischer Rundfunk, Resonance FM and Soundart Radio. Slap that ham.


 


Knighthoods go to: Martha Moopette, Talulah & Autumn, Bill Bankes-Jones, Caroline Steane & all at Tête à Tête, Simon & Nicky, Elvis Herod, Flora Bertolli, Robin Gill & Caroline Stupnicka, Zoe & Storm, Bec, Monkton & Lucinda, Patrick Sims & Josephine Biereye, Oblivian Substanshall, Vulnavia Vanity, Tom Ravenscroft, Alex Jones, Phil Lane, Iain Chambers, Peter Fengler, Lukas Simonis, Frankie Boyle & Shireen Taylor, Luis & Nick Carvajal, Mongoose, Oriol Viladomiu, Richard Penny, Felix Kubin, Andy & Rosie, Jacques Malchance & all at UpItUp Records, Chiz, John & all at Qujunktions, Martin Enderlein & all at Headphonica, Vicki Bennett & Peter Knight, Denis Kundic, Joel Cahen, James Melendrez, Jay Harper, Greta Pistaceci …. I shower you all with royal kisses and maybe a bit more if you’re lucky…