Saturday 10th August 20:10-21:40 & Sunday 11th August, 2013

Warwick Blair Ensemble

 

 

Genesis

STATE OF BEING started life as a heavily deconstructed interpretation of a novel – one that replaced the importance of narrative meaning with that of thematic meaning. After a period of time, it became clear to me that the original source material (the text that comprised the novel itself) was irrelevant; all I was left with was the importance of thematic meaning as a theme. I thus put out a crowdsourcing call for a brand new libretto. Crowdsourcing involves soliciting contributions from a vast number of people around the world – in STATE OF BEING’s case: Columbia, Indonesia, England, France and New Zealand. The idea behind implementing this particular practice was to develop a global interpretation of my original brief – collating interpretations that varied from one culture to another into a potent tapestry. Contributors submited, under strict guidelines, material that was further edited by myself. From this I created eight scenes.These scenes deal with subjects such as love, sex and death.

 

About

STATE OF BEING presents a powerful series of emotional states of being that depict an individual’s struggle for survival and redemption. Just as Native American Indians used to ingest peyote to communicate with God and discover the truth behind their existence, we too can converse with God in a variety of ways… Think of the initial feeling of falling in love, whirling dervishes in dance, the clarity gained from finding that perfect mathematical theorem, being carried away whilst listening to jazz, the burning, primitive desire to have sex, the abrupt finality of death, and the escapism achieved through taking drugs.

 

This is an opera about how we, in our modern world, can achieve certain forms of transcendence.

 

 

 

 

State of Being

Music: Warwick Blair


Video and Libretto content managed by: Laurent Antonczak, Max Schleser


Music Director: Michael Smedley


Concept/Sound/Video diffusion: Warwick Blair


Soprano: Nia Coleman


Mezzo-­‐soprano: Sara Louisa Parry


Baritone: Edmund Caird


Baritone, Saxophone, Flutes: Nicholas Charles


Percussion: Andrew Spiceley


 


In the late 1980s, having barely begun what is now a 20-­‐year career, Composer Warwick Blair was already being described as “one of New Zealand’s most original musical thinkers” (NZ Herald), and the “enfant terrible of New Zealand Music” (NZ Listener).


 


Laurent Antonczak is a multicultural entrepreneur who specilaises in Digital Strategies (branding, visual communication, social media, transmedia, information architecture) and emerging technologies (web and mobile phones).


 


Michael Smedley is currently Director of Music at the City of London School, but his main musical interest continues to be his directorship of the Oxford Pro Musica Singers, which he founded in 1977.


 


Nia Coleman holds an Honours degree in Music and Drama from The University of Manchester. She was awarded the prestigious Procter-­‐Gregg Prize for Performance from the School of Arts, Histories and Cultures, in July 2010.


 


As a graduate of the Royal Northern College of Music, Sara-­‐Louise Parry’s recent successes include The Great American Songbook at Hampstead’s New End Theatre.


 


Nicholas Charles has played in an immense number of ensembles ranging from 1920s -­‐ 30s bands through to modern jazz bands. His theatre experience includes The Black and White Minstrel Show, Wind in the Willows, Aladdin, A Chorus Line, Ratpack and The Best of Broadway.


 


Andrew Spiceley studied at the University of Surrey, gaining a Masters degree in performance (percussion) and composition. He has performed at London’s South Bank, the Wigmore Hall, and broadcast on BBC Radio 3 with ensembles including Quorum and Lontano.


 


Acknowledgements


This production gratefully acknowledges the support of the New Zealand Society.


 


Video Units:


UNITEC INSTITUTE OF TECHNOLOGY -­‐ Auckland, New Zealand Coordinator: Daniel Wagner.


 


Crew: Jahnavi Dhanrajgir, Clare Florence, Byron Gibbons, Fraser Grut, Rowan Hopkins, Oskar Lottermoser, Anthony Mitchell, Nick Simpkin, Sheldon van Hattum, Sharma Woodroffe, Ting Zhu, Sandy Wijetunge, Chelsea Smith.


 


UNIVERSITY OF SALFORD -­‐ Manchester, UK


 


Coordinators: Helen Keegan, Marianne Patera.


 


Crew: Reiss Anderson, Faiz Barber, James Bishop, Kayleigh Bradbury, Joseph Cafferty, Lewis Carville, Diana Castro, Paul Chambers, Rob Clark, Taylor Cole, Simon Coley, Thomas Cone, Amy Cook, Shaun Cooper, Max Dabrowski, Ryan Deane, Thomas Deegan, John Dipper, James Dominey, Nathan Freeman, Christopher Gainsbury, Dionne Grailey, Paul Handforth, Michael Jones, Stefan Kabakchiev, Mohammad Karimaghaie, Jake Ladley, Benjamin Leeming, Pieter Letson -­‐ Gamble, Alexander Liddell, Jennifer McDonagh, Matthew McHugh, George More Gordon, Chad Morgan, Richard Nicholls, Mandla Nyathi, Joe O’Neill, Ashwin Patson, Kyle Pepper, Daniel Phillips, Kyle Quinn, Thomas Rostron, Joshua Skarratts, Nikolay Stoychev, Joe Taylor, Simon Teasdale, Nick Vernon, Rolando Villca-­‐Choque, Adam Washington, Mark Weller, Martin Williams, Gabriel Winn, Lukasz Ziabka, Sam Zohdi.


 


AUCKLAND UNIVERSITY OF TECHNOLOGY -­‐ Auckland, New Zealand.


Coordinator: Laurent Antonczak.


 


Crew: Tasha Pitfield, Shimoné Wolfaardt, Janus Lee, Qi Wang, Deenisha Bhikha, Sam Kim, Matt Crossley, Max Vosloo, Rebecca Tan, Ivy Niu, Alisha Brunton, Cory May, Brandon Johnston, Kendal Watt, Daniel Ido, Lucy Hawkins, Seulra Kwon.


 


UNIVERSIDAD EXTERNADO DE COLOMBIA -­‐ Bogota, Colombia.


Coordinator: Felipe Cardona.


Crew: Stefania Ramirez, Lorena Diaz, Laura Delgadillo, Daniel Steven Gonzalez, Pavla Fuertes, Camila Triviño.


 


UNIVERSITÉ DE STRASBOURG -­‐ Strasbourg, France.


Coordinator: Yannis Naamane.


 


Crew: Yannis Naamane, Claire Wolff, Quentin-­‐Rémi Fuchs.


 


Video editors: Rachelle Smith (NZ), Laurent Antonczak (NZ).